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  • MOVIE page: Alceste bicyclette (2013)
  • Rate: 6.2/10 total 332 votes 
  • Genre: Comedy
  • Runtime: 104 min
  • Filming Location: Théâtre de l'Atelier - 1 Place Charles Dullin, Paris 18, Paris, France
  • Director: Philippe Le Guay
  • Stars: Fabrice Luchini, Lambert Wilson, Maya Sansa | See full cast and crew
  • Plot Keyword: Actor Training | Play Rehearsal | Fall In Water | Retired Actor | Porn Actress
Writing Credits By:
    (in alphabetical order)
  • Philippe Le Guay  original idea (screenplay) (dialogue)
  • Fabrice Luchini  original idea



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Plot: A once great actor, Serge Tanneur (Fabrice Luchini), has retired from the limelight. Too much pressure meant that one day... See more » |  »

Story: A once great actor, Serge Tanneur (Fabrice Luchini), has retired from the limelight. Too much pressure meant that one day, he simply decided he would act no more. For the past three years, he has lived in solitude on the le de R, spending his time cycling through the windswept landscape. Fellow actor Gauthier Valence (Lambert Wilson), whose career is flying high, is planning a production of Molire's play The Misanthrope and wants to offer Serge the title role. Gauthier is convinced he will accept, since Serge himself has become a misanthrope, withdrawn from society and raging against the world. It would be wonderful to see him return in that part. But Serge plays hard to get. Instead of committing, he suggests they rehearse together for the week. Things look to be going well, especially when a mysterious Italian divorcee (Maya Sansa) brings a romantic spark into his life. With the play's producer, Gauthier's agent and his lover all arriving on the island at the weekend, the ... Written bylletaif

Produced By:

  • Anne-Dominique Toussaint known as producer

FullCast & Crew:
  • Fabrice Luchini known as Serge Tanneur
  • Lambert Wilson known as Gauthier Valence
  • Maya Sansa known as Francesca
  • Camille Japy known as Christine
  • Ged Marlon known as Meynard, l'agent immobilier
  • Stéphan Wojtowicz known as Le chauffeur de taxi
  • Annie Mercier known as Tamara, l'agent
  • Christine Murillo known as Mme Françon
  • Josiane Stoléru known as Raphaëlle La Puisaye
  • Laurie Bordesoules known as Zoé
  • Édith Le Merdy known as Mme Bichet
  • Patrick Bonnel known as Roussel
  • Philippe du Janerand known as Le directeur du théâtre
  • Jean-Charles Delaume known as Philinte sur scène
  • Jean-Marc Rousseau known as Le plombier
  • Joël Pyrene known as Le chirurgien (série télé) (as Joël Pyrène)
  • Catherine Rouzeau known as L'infirmière (série télé)
  • Freddy Nail known as Le camionneur
  • Olivia Algazi known as Madame Ramirez
  • Julie-Anne Roth known as Betty
  • Gilles Treton known as Rizal

Production Companies:

  • Les Films des Tournelles (co-production)
  • Pathé (co-production)
  • Appaloosa Développement (co-production)
  • France 2 Cinéma (co-production)
  • Soficinéma 8 (in association with)
  • Soficinéma 9 (in association with)
  • France Télévision (participation)
  • Canal+ (participation)
  • Ciné+ (participation)
  • Département de la Charente-Maritime (support)
  • Région Poitou-Charentes (support)
  • Centre National de la Cinématographie (CNC) (in partnership with)



Alceste bicyclette (2013) Review by dromasca from Herzlya, Israel
Gauthier Valence is a successful actor. He plays in a prime time soapopera which earns him enough glory to be recognized in the streets andmarkets and enough money to allow him to put on stage the mostambitious production any French actor dreams about – Moliere's LeMisanthtrope. Of course he sees himself in the lead role of Alceste,but for the second role of the play, Philinte, he wants to get theparticipation of his friend, Serge Tanneur, who retired a few yearsbefore in a remote corner of France, on the shores of the Atlantic.When traveling to obtain his friend's (and maybe rival) participationin the production he will find not only that Serge believes that he isthe one fit for the lead role, but also that in order to enroll him hewill need to engage in a game of rehearsals, first for one day, thenfor the rest of the week. Did Serge really give up acting, or is heplaying a game of power with his old friend and rival, who apparentlyhas so different conceptions about life and acting? Who is theplaywright, who is the director, who is the actor in this play?

The series of rehearsals that the two actors play occupy much and thebest part of the film. I am just sorry that I did not know howimportant a role the text of Moliere plays in this film, I would haveread it before, as the feelings of the two characters are oftenexpressed by the two actors using the replicas of the play and throughthe way they act alternatively the roles of Alceste and Philinte. It isamazing how fascinating are the scenes where we see the two men workingtogether and confronting each other. Their role swapping is at the sametime a fight for control and a way of marking the differences in theirapproaches towards acting and towards life, it defines the relationwith the other characters (yes, there are several women in the storyand one of them plays a relatively small but key role – cherchez lafemme), and the complex relations of respect, rivalry and friendshipbetween the two of them.

'Alceste a bicyclette' (English title – Cycling with Moliere) directedby Philippe Le Guay is the second excellent French film that I see inthe time of a few weeks (the other one was the Allen-esque 'Dans lamaison'), and the lead actor (as Serge Taneur) is again Fabrice Luchiniwho is also a co-author of the script. His partner is Lambert Wilsonwhose figure is maybe recognizable from a number of Hollywoodproductions, but who really gets here a great role in the tradition ofthe French theater and cinema. There is some good camera work byJean-Claude Larrieu using the fabulous beaches at the Atlantic and theendless roads with the heroes riding bicycles, but most of the actiontakes place between the walls of the decrepit and overpriced housewhere the two actors rehearse Moliere. It may be the dream of anyFrench actor to play Moliere or a play turning around Moliere's texts.It is the dream of any lover of French cinema and theater to see such afilm. But better come prepared. Read Le Misanthrope first!


Alceste bicyclette (2013) Review by roman-15 from Santiago, Chile

I saw this film last night on a flight from Paris to Santiago. And eventhough the screen was tiny, the beauty of the film simply shone fromthe screen.

Wonderful and witty dialogs, beautiful undercurrents in what'shappening and a scene (spoiler alert) with the lead actor and anoutdoor horse- watering trough converted into a jacuzzi that'shilarious and has to be seen to be truly appreciated.

As the film progresses, so does its complexity and we see thatcharacters that seem marginal to the film tend to become vital to theplot.

One of the most beautiful sequences is a cycling scene, that not onlyalludes to the title, but also to that wonderful film: "Jules et Jim"by Francois Truffaut. And the allusion is not only in relation to thespecific scene, but also to the plot of Jules et Jim.

I'm only giving it a nine because it's very difficult to properly judgea film on a teeny screen 11.000 meters above the Atlantic...


Alceste bicyclette (2013) Review by 3xHCCH from Quezon City, Philippines
"Alceste à bicyclette" is about two actors. One is Gauthier Valance(Lambert Wilson), a handsome actor who is currently the star of amedical drama on TV. The second is Serge Tanneur (Fabrice Luchini), aretired old school actor who now lives a hermit-like life on a smallresort town.

Valance planned to stage celebrated French playwright Moliere'sultimate classic play entitled "The Misanthrope." Valance wanted toplay the lead role Alceste, and was coaxing Tanneur out of retirementto play the secondary role of Philinte. Tanneur could not make up hismind and convinced Valance to stay on for a week, so they can practicereading the play, each actor alternating in each role.

However, an Italian divorcée named Francesca (Maya Sansa) gets into thepicture and drives the story of the two actors from its multiple scenesof rehearsals to its climax and resolution.

I knew no French, and had to rely on English translations. I am prettysure that a lot of the humor and drama was lost in the translation. Theother problem is the fact that I did not know "The Misanthrope" norabout Moliere himself. So I am sure I am also missing out on a lot ofnuances in the conversations between the two guys.

This movie is all about passion -- the consuming passion of Tanneurabout Moliere, in particular. I can try to understand it of course, butI am sure I would appreciate it more had I known more about theplaywright and his works.



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